One of a kind Photo Opportunity Coming to NYC on Friday
Where were you when the Space Shuttle landed? Last week residents and visitors to Washington DC were treated to a one-of-a-kind event: the Space Shuttle Discovery riding atop a Boeing military 747 jumbo jet flying low over the National Mall. The shuttle is on its way to its new permanent display at the Smithsonian National Air and Space Museum’s Steven F. Udvar-Hazy Center in Chantilly, Virginia. This means that the current shuttle sitting at the smithsonian will be moving locations.
Since the announcement in 2011 by NASA of the end of the Space Shuttle Program (officially named: Space Transportation System), some of these historic air-craft have been on a retirement and appreciation tour. Another Shuttle, Enterprise will fly-over New York City this week. Initially, the fly-over was planned for Monday (2 days ago) but the weather was uncooperative. Now, lucky for those of us who heard the news too late, the event is rescheduled for this Friday April 27th.
So, get your cameras out, bring multiple lenses and memory cards, and get ready to photograph space history along with thousands of others. The fly-over is scheduled to begin at 9:30 am. It will fly up the Hudson River and around the city over a two hour span. The space craft will then sit atop the Intrepid Museum for viewing from now through fleet week in May where astronaut Scott Kelly will appear to celebrate the fantastic history of the shuttle program. Enterprise will then become a permanent exhibit here in NY. That is great news for New York space enthusiasts!
Last week many like me were enrapt with the Discovery flyover of DC. Only seen by us here in NY on cable news channels, the vision of the historic shuttle sitting humpback on the giant modified 747 evoked feelings of awe and amazement. The space shuttle mission and the entire space program represented human ingenuity and the power of imagination. Having such an iconic piece of history so close to the capital brought back many great memories. This article written by CNN’s David Gergen summed the day of fittingly.
And of course such an event brought out thousands of cameras with the hopes of capturing an enduring image of history. Some were fantastic and some were just OK, but they all meant something special to the taker of the photo. For a good collection of what to expect on Friday, check out the amateur Flickr group dedicated to the Discovery Shuttle.
For a little history on the Enterprise check out the Aero Space Guide website. Enterprise was built in 1974 as a prototype for all its future orbiters like Challenger, Discovery, and Atlantis. It was built as a full-scale test vehicle and never fitted for space flight. After the shuttle program was fully underway and successful shuttles launched, there was no longer a need for the Enterprise. In 1984 it was sent to the Smithsonian for retirement. Now with all the Shuttles retired, the Enterprise will become a permanent resident on the Intrepid Sea, Air, and Space Museum.
Before it does, come watch it fly over the city. Share your stories and photos with us at Kurland Photo’s facebook page.
Visiting the International Center of Photography
If you are looking for a nice museum outing, check out the International Center of Photography. Located at 43rd street and the Avenue of the Americas, the Museum and School offers a great rotation of exhibits and special photography events. The ICP is open from Tuesday to Sunday with Monday’s closed. The fee of $12 ($8 for students) is considerable less than other New York City museums and they offer occasional free Friday programs. You should visit soon, as a few of their current shows will be changing in May. Here are some of the current gallery exhibits:
The Loving Story: Photographs by Grey Villet
January 20th-May 6th
Forty-five years ago, sixteen states still prohibited interracial marriage. Then, in 1967, the U.S. Supreme Court considered the case of Richard Perry Loving, a white man, and his wife, Mildred Loving, a woman of African American and Native American descent, who had been arrested for miscegenation nine years earlier in Virginia. The Lovings were not active in the Civil Rights movement but their tenacious legal battle to justify their marriage changed history when the Supreme Court unanimously declared Virginia’s anti-miscegenation law—and all race-based marriage bans—unconstitutional. LIFE magazine photographer Grey Villet’s intimate images were uncovered by director Nancy Buirski during the making of The Loving Story, a documentary debuting on February 14, 2012 on HBO. The exhibition, organized by Assistant Curator of Collections Erin Barnett, includes some 20 vintage prints loaned by the estate of Grey Villet and by the Loving family.
Perspectives 2012: Anna Shteynshleyger, Greg Girard, Chien-Chi Chang
January 20th-May 6th
Perspectives is an exhibition series that focuses on emerging young artists working in photography and video. The small group exhibitions in the series are nonthematic, highlighting the individual ideas and achievements of an engaging and eclectic group of new faces. Those presented within Perspectives have not been widely exhibited, inspiring conversations on contemporary art, broadening ICP’s audience, and revealing work that may otherwise not be seen outside of a small gallery setting. Above all, Perspectives will highlight global contemporary artists who have not yet been shown in New York, and who may not conventionally be considered photographers. ICP Curator Christopher Phillips organized this second exhibition in the series, which includes work by Chien-Chi Chang, Greg Girard, and Anna Shteynshleyger.
Magnum Contact Sheets
January 20th-May 6th
Magnum Contact Sheets reveals how Magnum photographers have captured and edited their best shots from the 1930s to the present. The contact sheet, a direct print of a roll or sequence of negatives, is the photographer’s first look at what he or she has captured on film, and provides a uniquely intimate glimpse into their working process. It records each step on the route to arriving at an image—providing a rare behind-the-scenes sense of walking alongside the photographer and seeing through their eyes. Including both celebrated icons of photography and lesser-known surprises, the exhibition functions as an “epitaph” to the contact sheet, now rendered obsolete by digital photography. Through these fascinating and usually private images, the exhibition celebrates what and how photographers saw for nearly a century. Coinciding with the publication of Magnum Contact Sheets (Thames & Hudson), edited by ICP Curator Kristen Lubben, the exhibition includes a selection of some of the 139 contact sheets in the book.
Weegee: Murder is My Business
January 20th- September 2nd
For an intense decade between 1935 and 1946, Weegee (1899–1968) was one of the most relentlessly inventive figures in American photography. His graphically dramatic and often lurid photographs of New York crimes and news events set the standard for what has become known as tabloid journalism. Freelancing for a variety of New York newspapers and photo agencies, and later working as a stringer for the short-lived liberal daily PM (1940–48), Weegee established a way of combining photographs and texts that was distinctly different from that promoted by other picture magazines, such as LIFE. Utilizing other distribution venues, Weegee also wrote extensively (including his autobiographical Naked City, published in 1945) and organized his own exhibitions at the Photo League. This exhibition draws upon the extensive Weegee Archive at ICP and includes environmental recreations of Weegee’s apartment and exhibitions. The exhibition is organized by ICP Chief Curator Brian Wallis.
Earth Day Photography 2012
Last week we posted tips for taking better landscape photography. Today is Earth Day and might be a good time to go out and take some beautiful shots of the environment. Earth Day has been celebrated on April 20th since 1970 and is here to mark our natural surroundings and to promote the protection of the earth, our water, and our air. Every year since 1970, Earth Day or Earth Week has been recognized as the time of year to come together to celebrate environmental issue. So, pick a theme and shoot a series, like this one from National Geographic on Global Warming.
In the area of environmental protection, photographers have played a pivotal role. In the effort to protect the environment, photography has very successfully been used to bring images of rapid erosion or shrinking of the polar ice caps. It can be a series of pictures that depict the worst fears about a warming planet, like this series posted on Discovery’s Treehugger website (really that’s what it’s called).
Or you could go even more to the point and take pictures of the places that are being proposed as oil drilling sites like ANWAR. Obviously a very politically charged topic, the point of this type of photography is to hope that mere images showing the beauty of the landscape will give people pause before risking environmental disaster.
For a take that’s less apocalyptic, Huffington Post has been promoting a series of photographs for National Parks Week. Go Visit their facebook page and post your own photos of national parks
Looking at these examples, it is clear that we are in a golden age of environmental photography. With a large sense of global awareness, access to high quality photographic equipment, and ease of travel, there are many photographers that wish to bring more meaning to their craft than shooting mere landscapes, especially in the wake of the landmark Discovery Channel documentary series Planet Earth and Frozen Planet.
It takes more than just a wish and a nice camera to capture the moment of a calving glacier for instance, but documenting coastal erosion, trade channel pollution, or profiling the untouched beautiful places on this planet, your photography can make a difference. Be creative and enjoy Earth Day 2012.
Famous Leica Photographer, Robert Doisneau at 100
Iconic French photographer/photojournalist Robert Doisneau would have turned 100 years old this past weekend (born April 14th 1912, Died April 1st 1994). It was partly his black and white street photography from Paris that helped create the world’s mythical view of the “city of lights, the city of love”.
Beginning his work in Paris in advertising, he soon became apprentice to photographer Andre Vigneau. Spending most of his young career as an engraver, postcard photographer, and in-house artist for the Renault car manufacturers, Doisneau occasionally sold stories to magazines or freelanced in his private studio. During these days, he became a recognized hard-nosed photojournalist.
His fame and legacy came however in an altogether different genre, street photography. Doisneau loved the streets of Paris, and would spend hours strolling the Rues with his Leica in hand and snapped the shots he thought most captured the spirit of his beloved home. He often spend his free time shooting children at play, couples in conversation or any of the myriad eccentricities of french life. He has also been credited with capturing the ironies of class and culture prevalent during post war France, but his most famous shot came in 1950. His image, Kiss By the Town Hall was featured in LIFE magazine and became synonymous with the romantic nature of Paris and became his hallmark style.
Throughout his long life and incredible career Doisneau gained increased recognition for his work, style and impact on the world of photography. So, on what would have been his 100th birthday, we take a moment to say thank you Robert Doisneau.
Looking to add some world class photo prints for your collection? Need some great art for your walls but can’t afford the prints you want? The Yellow Korner Gallery in Soho is trying to help. After finding success in Paris, London and Brussels, art dealers Alexandre De Metz and Paul Antoine Briat decided to open a new space in New York City. Since 2006 they have been trying to promote affordable works of art to collectors in the U.S.
The concept is simple: Convince photographers or artists to release a larger number of prints at a lower price. Instead of 10 prints at $5,000 a piece, a run would be available for 500 prints at $100 each. This may not always seem like a great idea to everyone, but for some artists it has been a wonderful opportunity to re-release past works or introduce themselves to a newer, larger audience. Some of the great photographers that have released exclusive prints with Yellow Korner are Yann Arthus-Bertrand, Dorothea Lange, Man Ray, Jean Dieuzaide, and Bert Stern. Along with these, Yellow Korner deals with dozens of other artists both from contemporary and historic collections.
The prints are high quality and done with careful watch by the artists:
“All YellowKorner photographs are gelatin silver prints produced by a renowned professional laboratory, numbered and supplied with a certificate of authenticity under the artist’s watchful eye. YellowKorner pays great attention to the development of the prints so that the power of the photograph and all the richness of the artist’s work are captured.
With the artist’s consent, the same photograph is available in one or several formats (8″x12″, 10″x15″, 24″x36″ and 40″x60″) with a finish agreed by the artist.”
New collections and artists are featured often, so check in to their website often or visit their extensive Gallery at 100 Wooster St. Between Spring and Prince.
5 Tips for Landscape Photography
Find the best vantage point—Your subject isn’t going anywhere, so take your time and find the best angle. Too often you see a beautiful landscape and just start shooting from where you first saw it. Walk around and away from the crowds, and probably upwards. Elevation is your friend. You may be able to see the mountain from the roadway, but you’ll see deeper into the valley from higher up. It may take some time to find the best spot. Take a hike, camp out, and make a trip of it if you have to. Beauty is all around you but capturing it properly takes work. As practice, once you find your spot pick a vantage point and then shoot it from several different angles along a long axis (perhaps a few miles). Compare the shots with the one you chose, just to see if your judgment is spot on.
Set up your equipment—Now may be the perfect time to take out that bulky tripod. For you street photographers this may go against your normal ritual, but it will be worth it (be sure to check your horizon). Take some test shots with different lenses and filters. The obvious first choices would include a wide angle lens and a good polarizing filter to help saturate the colors. This may not always be the best combo, but give it a try. If you plan on adjusting the color later, try adjusting your setting now.
Light, it is always about light—As always be aware of the sun. And it’s not just about good light or avoiding streaks. The lower the sun, the more defined the shadows become. Know where the sun sets and/or rises before setting up your shot. You may want the morning light or afternoon sun, or the sun itself as the subject of the shot. This may change your location drastically.
Shoot several large files—With all the time spent setting up, now is a good time to shoot many photos of the same subject. You have time, the subject isn’t moving and what do you have to lose? If you are following the 3rd tip then you are shooting at a time of day where the light will change quickly and the colors will change significantly with each passing moment. Experiment with these changes, and have different lenses handy in case you see something that inspires you. You should also shoot using the largest file setting, RAW if possible. Landscapes are the one genre of photography that is almost guaranteed to be enlarged. When you hit the sweet-spot with angle-light-subject, and the results exceed even your own expectations, you want to be sure that it is shot at the highest quality setting.
Know Your Location—Perhaps you have found a trail-less peak in some untouched wilderness, or just accomplished a first ascent in some lonely mountain range where no photo archive exists. More likely, you are shooting a scene attempted by many others. Learn the history of the location and of the artists that preceded you. It may help guide your own shooting or merely enrich your photo experience. Don’t just think of other photographers. Has there been poetry written about this landscape? How about music, or paintings? Adding the work of other artists to your own photography can be very worthwhile.
Enjoy your next landscape photo shoot and as always, be careful and share your shots with us here.
Silver And Light
American photographer Ian Ruther is finding innovation in big ways. Big wet plates to be more specific. Like many innovations, the creator often looks to the past for direction. Watch this video to see an incredibly inspiring artist at work:
“Wet plating” or the “Collodion Process” was first used in the 1850’s but was soon replaced by gelatin emulsion plates. The wet-plating process requires a full developing process to take place at the point of exposure, usually taking several exact steps using highly toxic chemicals and occuring in the 15 minutes before the plate dries. The high-precision work takes concentration and pretty much requires a mobile darkroom. One mistake and the shot doesn’t come out, but when it does, the outcome can be a quality not seen in other more convenient processes.
Ian Ruther decided to take the past and shoot the present. Turing a box-truck into one large camera, he has been attempting to shoot large metal wet-plates, choosing to shoot large images instead of enlarging the image post-production. The size of the shots, the uniqueness of his equipment, and the inherent difficulties of wet-plating has lead to some crazy challenges but the successful shot have been stunning.
“This project was created with the same spirit that America was founded on. Our intentions are to connect everyone in America through the lens of this camera and social networking sites. We can’t do this without you. We want to tell your story and show your city or town through photographs of you, and people you know. As we travel around America looking for people and places to shoot you will be able to keep track of where we are going and help us decide where we go next. Join us in our journey by liking our facebook to get yourself photographed by us.”
Baseball Archives
In honor of the 2012 Major League Baseball opening weekend we remember the great stadiums of the past and the photographs that help us remember them. New York has hosted its share major league baseball teams (as well as a few independent professional teams). The current teams: The Yankees (since 1903), The Mets (since 1962) and the past teams of the Brooklyn Dodgers (1884-1957) and the New York Giants (1883-1957).
First, some photography. Black and White photographs of baseball players, stadiums, crowds at sporting events hold a special place in the archives of American History. It may be the iconic nature of Baseball legends like Babe Ruth and Willie Mays, or the natural action and motion of an athlete competing that brings these photographs to life, or it may be something larger than that. Golden era baseball evokes an overwhelming feeling of Americana. Sharing the experience of baseball is a rite of passage, and photographing the national pastime is a hobby that has never gone out of style.
For some great looks at vintage baseball photography check out these fantastic online sources:
Now how about tracking down some baseball history for yourselves? This week, between ballgames you can go visit the sites of the old stadiums in town. Of course I’m not talking about the recently demolished Shea or Yankee Stadiums, that would be too easy. I’m talking about the Polo Grounds, Ebbet’s Field and Hilltop Park. Not much of these old stadiums remain, but as always there is a little something to photograph. And in tracking down baseball’s past, the story is usually more powerful than anything, so here is a little bit of the story:
The Polo Grounds- The polo grounds, so named for obvious reasons, opened its fields for baseball in 1883 for the independent team called The Metropolitans. Over the following 80 years, the Polo grounds became synonymous with New York Baseball. In fact I would argue that the Polo Grounds were the single most important location in baseball history, being the home of some of baseball’s most memorialized moments such as Bobby Thomson’s “Shot Heard Round The World” or Willie May’s famous “basket catch”.
The field was actually 4 different fields that changed over the years. The first sat at what is now the northeast corner of Central Park (now 110th and Lennox) but was destroyed to make way for the Manhattan grid and was soon cut in half by 111th street. From 1889 till it was destroyed in 1964 the Polo Grounds were located at the new site of 155th and 8th avenue (Frederick Douglas Blvd). There were three separate permutations of these Polo grounds and they housed everything from Boxing to Football to Track & Field events.
Despite the Polo Grounds diversity, baseball was its main attraction, playing host most notably to the New York Giants (Started as the Gothams) where they played in what was called Manhattan Field. The Brooklyn Dodgers played a few home series here in 1890. The Yankees moving from Hilltop Park also played several season here while Yankee Stadium was being built across the Harlem River (Babe Ruth hit his first home run as a Yankee at the Polo Grounds). To round out its resume as the New York baseball Mecca, the Mets played there in their first two seasons at the Polo Grounds even after the city had deemed it ready for demolition…hardly a red carpet welcome to the Major Leagues.
After all its service to the City and the sport of Baseball, the only remaining relic of the Polo Grounds is the John T. Brush Stairway (Brush was the Giants owner) which you can still walk down from about 158th street and Edgecomb Avenue. It is in disrepair but if you wish to climb the staircase from the Harlem River Drive you can stand atop Coogan’s Bluff where fans once stood to watch the games. You can still photograph the stairs and engraving that marks the Grounds but all you see today from the bluff is a public housing complex called Polo Grounds Towers.
Ebbets’s Field- The Photograph above was taken by an anonymous author, which means that we don’t know who took it. That’s about all we don’t know or think we don’t know about Ebbets field. Moving the Dodgers from Brooklyn to California is still one of the most controversial pages in sports history. Much has been written about this move and many stories have been passed down from father to son about that devastating event. The resentment still resides in some fans, largely due to the fact that to this day, New York City’s most populous borough still does not have a baseball franchise. Until the Mets came in 1962, Dodger fans would have to begrudgingly root for the hated Yankees, try to follow the Dodgers from 3,000 miles away , or leave town.
Located in the Flatbush section of Brooklyn, Ebbets Field stood from 1913 till is demolition in 1960. Like other stadiums built of this era (Fenway 1912 and Tiger’s Stadium 1912) the stand’s proximity was very close to the action and referred to as a “bandbox”. The stadium was used in 1921 by the Giants and by various football clubs throughout its existence. Compared to the Polo grounds, it was considered a hitter’s field, especially when the left field fence was lowered in the 40’s to add more seating. During this era, New York was the center of the baseball world. Like the Yankees and Giants, the Dodgers were often in contention for championships. Ebbets field hosted World Series in 1941, 1947, 1949, 1952, 1953, 1956 and in 1955 when they won their first Championship. The most historic relevance of course came when the Dodger’s lead the way to baseball integration in 1947 by signing Jackie Robinson.
Just like the former Polo Grounds, Ebbets Field has since made way for apartments. The Ebbets Field apartments were renamed the Jackie Robinson Apartments in 1972 and a few other markers spot the neighborhood. But the real physical legacy came in 2009 when the Mets new Citi Field was built to honor the old ballpark.
Hilltop Park- The least known of New York’s old ballpark was the first home to the New York Yankees. In 1903 the Baltimore Orioles were bought for $18,000, moved to New York, and called the New York Highlanders, also called the American’s, and later the Yankees. Their first home was a relatively rudimentary ballpark named simply American League Park. Located at 165th and Broadway in Washington Heights, the park sat on the highest point in Manhattan, thus it became known as Hilltop Park. The dimensions of the playing field were mammoth—400 feet to right field, 365 feet to left field and 542 to center. This was later cut by adding a median fence in the outfield.
The park sat a few blocks away from Coogin’s Bluff where fans could walk to and oversee the action at the Polo Grounds. Both the Giants and the Polo Grounds were significantly bigger attraction during the first few decades of the 20th century. The 16,000 person capacity at Hilltop was large for the era but nothing compared to the crowds that would attend baseball in the coming days. Unlike the other two parks, Hilltop doesn’t have the same historic pedigree. Sure Ty Cobb pitched a no-hitter there and Walter Johnson made some noteworthy appearances, but in New York the standard was already set higher than that. Hilltop Park didn’t last very long. After briefly hosting both the Yankees and the Giants in 1911, the park was demolished in 1914 while the new Yankee Stadium was being built.
Now if you were to travel to 165th to take some photographs, you would find the Columbia Presbyterian Medical Center that has been the only resident at the location of the former Hilltop Park. A plague marking the old building sits at the location of Home Plate.
So whether you are watching from Yankees Stadium, Citi Field or from home this season, remember the great parks of our past, take a photo excursion to these old locations and as always have a great time.
The Beacon Theatre
Writing about BAM has made me think about the beauty of historic theatres. Old New York theatres have always been great fodder for Photography. Whether an old vaudeville building turned movie house, a 1920’s dance hall renovated as a night club or a decorated ballroom that sits as a messy storage warehouse in the garment district, these old treasures hold untold secrets of New York’s past. For a fantastic survey of some of these old or forgotten buildings check out this project by photographer Matt Lambros: After the final Curtain.
However today I’d like to highlight one of the more famous New York theatres, The Beacon.
Anyone who has ever been there knows just how beautiful it is. Built in full Grecian regalia, once you pass under the Marquee on Broadway, you enter into one internal design vista after the next; marble vestibule, giant golden proscenium, Terra Cotta moldings, full-wall murals, etc. Of course, the point of a theatre like this is not what it looks like but how it sounds. As anyone who knows the basic concepts of acoustics knows, the more stuff sound waves have to bounce off of the better the sound. The sound in most of the three levels is as rich as anywhere I have ever been. The only dead spot is in the orchestra, underneath the mezzanine overhang. These seats are actually very bad for sound. All these crevices and regalia make for fantastic photographs and many rare opportunities to shoot unique photos of a famous building.
As far as the history of the Beacon goes, there are enough historically land-marked features in the theatre to ensure that it is not soon destroyed. In fact, in 1986 there was a court ruling that stopped a group from turning it into a nightclub. It was built in 1928 as a project put together by famous NYC theatre impresario Sam Rothfeld (AKA Roxy), and acted as the uptown smaller partner to Rothfeld’s other entertainment house, Radio City Music Hall. Throughout its history, the Beacon has been home to vaudeville acts, political debates, HBO comedy specials and at once was home to its own orchestra.
It was on the downside as a rock venue in the eighties, but has since gained an upswing, much like its most famous clients, The Allman Brother’s Band. A few years ago it was bought by Cablevision, who signed a 20 year lease. They promise to keep the spirit of the Beacon intact, and so far their renovations have been very respectful to the Beacon’s history and has put a fresh polish on a gem of the entertainment world.
As far as photography goes, check out some of the restoration photos here:
In the past the Beacon has given a few photographers passes to shoot the hall during daytime hours, soundchecks, etc. But those were very hard to get, and since the acquisition by cablevision and the completion of the most recent restoration, I image their photo policy to be even more strict. However, being a working theatre, you may have chance to take your camera (probably just a compact) to a show and do your best.
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